writing
- Henry Bugbee, The Inward Morning. Don't try to read this book quickly, and if you're not prepared to do the hard work of thinking, move on and read something else. But if you're willing to read slowly and thoughtfully, this book can change your life. Bugbee was a philosophy professor and an angler.
- Henry David Thoreau, A Week On The Concord and Merrimack Rivers; The Maine Woods. Thoreau was an occasional angler, and an observer of anglers.
- Aldo Leopold, A Sand County Almanac and the title essay in The River Of The Mother Of God, about unknown places. Leopold only writes a little about fish and fishing, but those occasional sentences about angling tend to be shot through with insight.
- John Muir, Nature Writings.
- John Steinbeck, Log From The Sea of Cortez. An apology for curiosity, in narrative form. One of my favorite books.
- Paul Errington, The Red Gods Call. Not brilliant writing, but a fascinating set of memoirs from a professor of biology who put himself through college as a trapper, and about how the Big Sioux River in South Dakota was his first real schoolroom. He talks a good deal about hunting and fishing and what he learned through encounters with animals.
- Kathleen Dean Moore, The Pine Island Paradox. Moore is an environmental philosopher who writes winsomely ans insightfully about what nature has meant to her family.
- Nick Lyons. Nick very kindly wrote the foreword to my book, and when I first got in touch with him about this I discovered he and I had lived only a few miles from each other in the Catskill Mountains for years. Sadly, by the time I discovered this I'd already moved away, and he was packing up to move to a new home, too. We both love the miles of small trout streams of those mountains, though. Nick has been a prolific writer and he has promoted a lot of great writing through his lifelong work as a publisher as well. Nick has a new book, Fishing Stories, just published in 2014.
- Norman Maclean, A River Runs Through It
- Ernest Hemingway, especially "Big Two-Hearted River" and the other Nick Adams stories
- James Prosek. Several books, including Trout: An Illustrated History; Early Love And Brook Trout; and Joe And Me: An Education In Fishing And Friendship
- Ted Leeson, The Habit Of Rivers
- Kurt Fausch’s new book, For The Love Of Rivers: A Scientist’s Journey. Brilliant writing by one of the world's leading trout biologists.
- Craig Nova, Brook Trout and the Writing Life. I also like his novels, and will recommend The Constant Heart.
- Christopher Camuto, who writes frequently for Trout Unlimited's journal, Trout.
- Ian Frazier, The Fish's Eye.
- Douglas Thompson, The Quest For The Golden Trout
- Izaak Walton, The Compleat Angler
- Dame Juliana Berners, The Boke Of St Albans, later editions of which contain A Treatyse of Fysshynge with an Angle, possibly authored by someone else.
- Nick Karas, Brook Trout (a nice collection of short works about brook trout, including some of my favorite stories)
- Lee Wulff
- Lefty Kreh
- John Gierach. Gierach has written a lot about angling, so it's not surprising that so many people mention him to me. Many of those mentions are positive, but some anglers mention his name with disgust. I haven't read much of his work, so I can't yet say why.
- David James Duncan, The River Why. This is a fun novel set in the Northwest, but it reminds me of the New Haven River in Vermont: there are some long dry stretches one has to plod through, but repeatedly one comes to depths that make the flatter, shallower parts worthwhile.
- Thomas McGuane, The Longest Silence.
- Bill McMillan
- Roderick Haig-Brown
- Mike Valla, The Founding Flies
- Michael Patrick O’Farrell, A Passion For Trout: The Flies And The Methods
- Peter Reilly, Lakes and Rivers of Ireland
- Derek Grzelewski, The Trout Diaries: A Year of Fly-fishing In New Zealand and The Trout Bohemia: Fly-Fishing Travels In New Zealand
- Eeva-Kaarina Aronen, Die Lachsfischerin. A novel set in Finland, about fly-fishing and fly-tying in the 18th century. The title translates as “The Salmon Fisherwoman”
- Ian Colin James, Fumbling With A Fly Rod (Scotland)
- Zane Grey, Tales of the Angler’s Eldorado: New Zealand
- Leslie Leyland Fields, Surviving the Island of Grace; and Hooked! Fields and her family are commercial fishers in Alaska, and her writing comes recommended to me from a number of sources.
- Sheridan Anderson, The Curtis Creek Manifesto
- Harry Middleton, The Earth Is Enough: Growing Up In A World Of Fly-fishing, Trout, And Old Men (Memoir)
- Paul Schullery, Royal Coachman: The Lore And Legends of Fly-fishing
- Gordon MacQuarrie
- Patrick McManus
- Vince Marinaro, The Game of Nods
- Rich Tosches, Zipping My Fly
- Robert Lee, Guiding Elliott
- Peter Heller, The Dog Stars (novel)
- Paul Quinnett, Pavlov’s Trout
- Dana S. Lamb Where The Pools Are Bright And Deep; Bright Salmon and Brown Trout
- John Shewey, Mastering The Spring Creeks
- Ernest Schweibert, Death of a Riverkeeper; A River For Christmas
- Richard Louv, Fly-fishing for Sharks: An Angler’s Journey Across America
- John Voelker’s short story “Murder”
- Dave Ames, A Good Life Wasted, Or 20 Years As A Fishing Guide
- Craig Childs, The Animal Dialogues, especially the chapter “Rainbow Trout”
- Randy Nelson, Poachers, Polluters, and Politics: A Fishery Officer’s Career
- Anders Halverson, An Entirely Synthetic Fish: How Rainbow Trout Beguiled America And Overran The World
- Thomas McGuane, A Life In Fishing
- Bob White
- Robert Ruark
- Tom Meade
- Hank Patterson
∞
How I Write - A Quick Reply To A Young Writer
This morning I came to the office to find an email from a student at another college. They were writing to ask advice for a young writer. In my own college years writing often felt like a challenge to overcome, especially when I was writing simply to satisfy a course requirement. After I graduated, I discovered that writing helped me to think and to communicate more clearly. For the last few decades, I've written more and more, and in general I find it to be a pleasant activity. I lost my ability to write for a little while after I was injured three years ago, and the process of re-learning it has been good for my mind and my spirit alike.
The email I received was polite and kind, and I thought it worth my time to write a short reply even though I had other urgent tasks to get to. I never want to let the truly important abdicate to the merely urgent; tasks that clamor are not always the best tasks, and those opportunities that speak softly are not always the least valuable. Here's the email I received, and my reply. I've edited the email I received to protect the author's privacy and to highlight their question and some of my main points in boldface. I've edited my reply slightly as well, since I've got a few minutes to do so.
If you've got good advice for my correspondent, feel free to offer your advice in the comments below. (I'll delete advertisements, though.)
Dear Friend,
Thanks for your thoughtful question. I'm not sure I've got a one-size-fits-all process, but I'm happy to share what I've learned and what I do. I've only got time for a short reply this morning, so apologies in advance for the brevity of this note. I have some students coming by in a few minutes and I like to try to be present for those who are right in front of me as much as possible. I suppose it's sort of a spiritual practice for me, that "being present." The alternative (for me, anyway) is to spend too much of my time not being present, which usually takes the form of stress and anxiety about that which is geographically or chronologically distant. Anyway, while my students aren't here, I'm regarding this email from you as your "presence" in my office, so let's talk about writing...
...which I suppose we've already begun doing. For me, one of the most helpful things has been making sure not to regard writing as an optional exercise. (It's too easy for me to let the urgent crowd out the important.) Writing matters to me because it helps me to think and it helps me to be in conversation with others. If I don't give it at least a little of my time - on a regular basis, that is - then my ability to write begins to atrophy. Disciplines that matter - the ones that are most connected to our best loves - should be treated like respiration; they need to be regular and constant. If writing is a matter of loving your neighbor for you, then write regularly, just like you breathe regularly.
Of course, the metaphor breaks down, because we breathe involuntarily and always, whereas we only write occasionally. But it's at least a partly useful metaphor. Because I want to be ready to write, I keep a paper notebook in my pocket all the time, remembering the words from one of the Narnia stories (Prince Caspian, maybe?) Hmm. Let's see. Yes, here it is:
Yes, it was Prince Caspian. And here's one of my other tricks: I write after each book I read. With each book, I take time to jot down a few words and a few lines that really mattered to me in that book. Then, when I want quick access to those words, I've got them all in a single file on my computer, and I can search for the word "ink" or "scholar" and up comes this quote. My file of quotations from books is now 130 pages long. (Don't despair - I've been adding to it for 20 years!) It's a tremendous resource for writing, and it helps me to remember what I read and where I read it.
Two more quick things, since I've got to go:
1) My graduate school faculty told me that writing a 300-page dissertation seemed like a lot, but if I thought of it as a page a day for a year, it would seem much smaller, and much easier. They were right.
2) I find it helpful to write more than one thing at a time. I'll work on one thing for a while - maybe only a few minutes a day - and then I find my mind is tired of writing and thinking about that subject. So I will turn to another task, and I often find I have new energy. Oddly, I wrote my first book while I was also writing my dissertation. I'd write the doctoral thesis during the day, and then, at night, I'd write the book as a way of distracting my mind and relaxing. Now I find that if I'm working on only one thing I feel great stress. Will I finish it? What if I mess it up? These questions haunt me. But when I have many writing projects ongoing, I don't mind it very much if I run into a wall of writer's block on one of them. True story: I have written several books that I will likely never publish, and I have half-written hundreds of articles and books that I may never publish. But each one is still on my computer, and I often return to those half-written pieces to scavenge a few footnotes or paragraphs or choice words. The unfinished tasks aren't on the scrap heap; they're unpolished gems in my store-room just waiting to be set in a new piece of jewelry. I'm not ashamed of them even though I don't wear them in public; they're treasures even though most people will never see them.
I hope this helps. Keep at it! Writing has been a great source of food for my mind and a great nourishment to my convivial conversations as well. I hope you find it to be of similar benefit.
All good things,
Dave
P.S. Here are a few other things I've written about writing, and teaching writing, and the role of nature in teaching me how to write.
The email I received was polite and kind, and I thought it worth my time to write a short reply even though I had other urgent tasks to get to. I never want to let the truly important abdicate to the merely urgent; tasks that clamor are not always the best tasks, and those opportunities that speak softly are not always the least valuable. Here's the email I received, and my reply. I've edited the email I received to protect the author's privacy and to highlight their question and some of my main points in boldface. I've edited my reply slightly as well, since I've got a few minutes to do so.
If you've got good advice for my correspondent, feel free to offer your advice in the comments below. (I'll delete advertisements, though.)
Dr. O'Hara,
I'm emailing you on a rather odd premise. I am a second-year student [in] college, and an avid follower of yours on Twitter. Over the course of about six months I have admired your work from afar. I would like to say your passion not only for your students, but your work, is nothing less than inspiring. That being said -- without taking up too much of your time -- I would like to ask for your advice. I know that you have written and contributed to many books. I have started one of my own, and would like to know how you go about the process of writing? I know it is a rather vague question, but I am just getting to about seven thousand words and fifty plus seems daunting. Do you have any advice?
Again, I am sure you are a very busy man and if this isn't something you have time to entertain I wholeheartedly understand.
Thank you for your time!
[Signature]
Dear Friend,
Thanks for your thoughtful question. I'm not sure I've got a one-size-fits-all process, but I'm happy to share what I've learned and what I do. I've only got time for a short reply this morning, so apologies in advance for the brevity of this note. I have some students coming by in a few minutes and I like to try to be present for those who are right in front of me as much as possible. I suppose it's sort of a spiritual practice for me, that "being present." The alternative (for me, anyway) is to spend too much of my time not being present, which usually takes the form of stress and anxiety about that which is geographically or chronologically distant. Anyway, while my students aren't here, I'm regarding this email from you as your "presence" in my office, so let's talk about writing...
...which I suppose we've already begun doing. For me, one of the most helpful things has been making sure not to regard writing as an optional exercise. (It's too easy for me to let the urgent crowd out the important.) Writing matters to me because it helps me to think and it helps me to be in conversation with others. If I don't give it at least a little of my time - on a regular basis, that is - then my ability to write begins to atrophy. Disciplines that matter - the ones that are most connected to our best loves - should be treated like respiration; they need to be regular and constant. If writing is a matter of loving your neighbor for you, then write regularly, just like you breathe regularly.
Of course, the metaphor breaks down, because we breathe involuntarily and always, whereas we only write occasionally. But it's at least a partly useful metaphor. Because I want to be ready to write, I keep a paper notebook in my pocket all the time, remembering the words from one of the Narnia stories (Prince Caspian, maybe?) Hmm. Let's see. Yes, here it is:
“Have you pen and ink, Master Doctor?”“A scholar is never without them, your Majesty,” answered Doctor Cornelius.
– C.S. Lewis, Prince Caspian, ch. 13
Yes, it was Prince Caspian. And here's one of my other tricks: I write after each book I read. With each book, I take time to jot down a few words and a few lines that really mattered to me in that book. Then, when I want quick access to those words, I've got them all in a single file on my computer, and I can search for the word "ink" or "scholar" and up comes this quote. My file of quotations from books is now 130 pages long. (Don't despair - I've been adding to it for 20 years!) It's a tremendous resource for writing, and it helps me to remember what I read and where I read it.
Two more quick things, since I've got to go:
1) My graduate school faculty told me that writing a 300-page dissertation seemed like a lot, but if I thought of it as a page a day for a year, it would seem much smaller, and much easier. They were right.
2) I find it helpful to write more than one thing at a time. I'll work on one thing for a while - maybe only a few minutes a day - and then I find my mind is tired of writing and thinking about that subject. So I will turn to another task, and I often find I have new energy. Oddly, I wrote my first book while I was also writing my dissertation. I'd write the doctoral thesis during the day, and then, at night, I'd write the book as a way of distracting my mind and relaxing. Now I find that if I'm working on only one thing I feel great stress. Will I finish it? What if I mess it up? These questions haunt me. But when I have many writing projects ongoing, I don't mind it very much if I run into a wall of writer's block on one of them. True story: I have written several books that I will likely never publish, and I have half-written hundreds of articles and books that I may never publish. But each one is still on my computer, and I often return to those half-written pieces to scavenge a few footnotes or paragraphs or choice words. The unfinished tasks aren't on the scrap heap; they're unpolished gems in my store-room just waiting to be set in a new piece of jewelry. I'm not ashamed of them even though I don't wear them in public; they're treasures even though most people will never see them.
I hope this helps. Keep at it! Writing has been a great source of food for my mind and a great nourishment to my convivial conversations as well. I hope you find it to be of similar benefit.
All good things,
Dave
P.S. Here are a few other things I've written about writing, and teaching writing, and the role of nature in teaching me how to write.
∞
South Fork, Eagle River
After breakfast we put sack lunches in the cooler and threw our backpacks in the fifteen-passenger van. Half an hour later we were piling out at the state park on the South Fork of the Eagle River.
The houses here are ugly. Taken on their own, any one of them is a beautiful building. Plainly this is spendy real estate in God’s country. But the houses look like they were lifted from the pages of some little-boxes-full-of-ticky-tacky architectural lust propaganda and carpet-bombed on the hillside, then allowed to remain wherever they fell. There is no order, no sense that the houses were built for the place. Every one of them is a garish, angular excrescence on the opposite hillside. No doubt their inmates would disagree with my assessment; they only see the houses up close, and from the inside. They must have no idea how out of place their unnatural rectangles look against the sweeping slope of the Chugach Range. No doubt, when you’re on the other side of those big plates of glass, gazing over here at the state park over your morning K-cup, the view is precious. But when you’re in the state park, looking back, there is nothing on the opposite hillside to love. Over here, there is only regret that these people believed that you could buy both the land and the landscape.
It’s about three miles’ hike in to first bridge in state park. A fairly easy up-and-down walk. It’s raining. Spitting, really, what they call chipichipi in Guatemala, a constant drizzle. The sky is a palette of cottony grays that have lowered themselves onto the mountaintops. There is a clear line below which the mountains are visible. Above it, clouds roll and shift.
I shiver a little in my heavy raincoat and think about putting on my rain pants, but I know I’ll be too hot if I do. Some of my students are wearing shorts.
At the footbridge we sit and eat our lunches. The university has packed us red delicious apples (a mendacious name), bags of honey Dijon potato chips, and turkey sandwiches with lettuce and onions. It’s not good turkey, but no one cares. This is a lovely place. We have other food in this place.
The river is only fifteen feet wide here, and it is the color of chalk, like diluted Milk of Magnesia. Taking off my shoes, I wade in. Immediately my feet start to ache with cold. Turning over a stone, I look at its underside. The gray water drips off and a tiny larva wriggles to get out of the light. It's too small to identify it, maybe a miniscule stonefly. A huge blue dragonfly cruises over the river, darting past me.
There are lots of wildflowers up here. One of my students is on the ground with her laminated guidebook, puzzling over one specimen. I've been carrying these guides everywhere, but they're only helpful for about seventy-five percent of the common stuff. There's just too much life here to get it all in a book.
The flowers grow in so many colors, so many strategies for getting the scarce pollinators' attention in the brief summer. Yellows, purples, and blues predominate. The guidebook warns me about several of the purples: DO NOT EAT THIS! Some of them are poisonous. So are a few of the yellows. This is a beautiful place, but it's also a harsh place, and life clings to the edge. Poison is one good way not to get eaten, I suppose. Looking up the mountain, the trees give way to shrubs a hundred yards above us. A hundred yards more and there's only grass. Above that, I can only see rock.
Some of these plants have another strategy: rather than avoiding getting eaten, they invite it. Berries are the way some plants make use of animals to carry their seeds to new places. Bear scat, full of seeds, is all along the trails here. Each mound is a nursery where some new plant may grow in the fertile dung.
There is a kind of berry like a blueberry that grows on something that looks like a mix between evergreens and moss, only a few inches high. Some people call it "mossberry," appropriately. Some locals call it a blackberry. Matt tells us they're crowberries, as he gathers a handful. He eats some and then the students tentatively pick and eat some too.
We spend three hours there at the bridge, observing. There's so much to see. Some of us write, some draw, some stare at the peaks that surround us. A few doze off. I get out my watercolors and try to paint the landscape, but I'm quickly frustrated. There are so many greens and grays and blues, and I'm no good at mixing colors. I keep painting anyway. I can at least try to get the shapes right, I think, but I'm wrong about that, too. The mountains are stacked up in layers, and the lines look clean and clear at first, but when I try to focus on them they blur into one another. The hanging glacier at the end of the valley looms over us, silent and white and yet so eloquent. The glaciers are what made all of this, and even though they have retreated, the river runs with their tillage, the plants grow in their finely ground dust, the smooth slopes were ground smooth by millennia of ice.
Upstream, Brenden hooks his first-ever dolly varden. This is his first fish in Alaska. He is positively glowing with delight. He cradles it in his hand and then quickly returns it to the water pausing only to admire this vibrant glacial relic of a char. It too depends on the glacier.
The temperature is constantly shifting as the sun comes in and out of the clouds. Each part of the valley takes its turn being illuminated: the river shines like silver; the mountainside glows bright green and the rocks and bushes above the tree line cast sharp shadows; high in the valley small glaciers are bright ribbons streaking the blue granite. The clouds push the sunlight in ribbons across the valley. When we are suddenly in the light, we are warm.
After a few hours we walk back to the car. No one wants to go. For a while we drive in luminous silence.
The houses here are ugly. Taken on their own, any one of them is a beautiful building. Plainly this is spendy real estate in God’s country. But the houses look like they were lifted from the pages of some little-boxes-full-of-ticky-tacky architectural lust propaganda and carpet-bombed on the hillside, then allowed to remain wherever they fell. There is no order, no sense that the houses were built for the place. Every one of them is a garish, angular excrescence on the opposite hillside. No doubt their inmates would disagree with my assessment; they only see the houses up close, and from the inside. They must have no idea how out of place their unnatural rectangles look against the sweeping slope of the Chugach Range. No doubt, when you’re on the other side of those big plates of glass, gazing over here at the state park over your morning K-cup, the view is precious. But when you’re in the state park, looking back, there is nothing on the opposite hillside to love. Over here, there is only regret that these people believed that you could buy both the land and the landscape.
It’s about three miles’ hike in to first bridge in state park. A fairly easy up-and-down walk. It’s raining. Spitting, really, what they call chipichipi in Guatemala, a constant drizzle. The sky is a palette of cottony grays that have lowered themselves onto the mountaintops. There is a clear line below which the mountains are visible. Above it, clouds roll and shift.
I shiver a little in my heavy raincoat and think about putting on my rain pants, but I know I’ll be too hot if I do. Some of my students are wearing shorts.
At the footbridge we sit and eat our lunches. The university has packed us red delicious apples (a mendacious name), bags of honey Dijon potato chips, and turkey sandwiches with lettuce and onions. It’s not good turkey, but no one cares. This is a lovely place. We have other food in this place.
The river is only fifteen feet wide here, and it is the color of chalk, like diluted Milk of Magnesia. Taking off my shoes, I wade in. Immediately my feet start to ache with cold. Turning over a stone, I look at its underside. The gray water drips off and a tiny larva wriggles to get out of the light. It's too small to identify it, maybe a miniscule stonefly. A huge blue dragonfly cruises over the river, darting past me.
There are lots of wildflowers up here. One of my students is on the ground with her laminated guidebook, puzzling over one specimen. I've been carrying these guides everywhere, but they're only helpful for about seventy-five percent of the common stuff. There's just too much life here to get it all in a book.
The flowers grow in so many colors, so many strategies for getting the scarce pollinators' attention in the brief summer. Yellows, purples, and blues predominate. The guidebook warns me about several of the purples: DO NOT EAT THIS! Some of them are poisonous. So are a few of the yellows. This is a beautiful place, but it's also a harsh place, and life clings to the edge. Poison is one good way not to get eaten, I suppose. Looking up the mountain, the trees give way to shrubs a hundred yards above us. A hundred yards more and there's only grass. Above that, I can only see rock.
Some of these plants have another strategy: rather than avoiding getting eaten, they invite it. Berries are the way some plants make use of animals to carry their seeds to new places. Bear scat, full of seeds, is all along the trails here. Each mound is a nursery where some new plant may grow in the fertile dung.
There is a kind of berry like a blueberry that grows on something that looks like a mix between evergreens and moss, only a few inches high. Some people call it "mossberry," appropriately. Some locals call it a blackberry. Matt tells us they're crowberries, as he gathers a handful. He eats some and then the students tentatively pick and eat some too.
We spend three hours there at the bridge, observing. There's so much to see. Some of us write, some draw, some stare at the peaks that surround us. A few doze off. I get out my watercolors and try to paint the landscape, but I'm quickly frustrated. There are so many greens and grays and blues, and I'm no good at mixing colors. I keep painting anyway. I can at least try to get the shapes right, I think, but I'm wrong about that, too. The mountains are stacked up in layers, and the lines look clean and clear at first, but when I try to focus on them they blur into one another. The hanging glacier at the end of the valley looms over us, silent and white and yet so eloquent. The glaciers are what made all of this, and even though they have retreated, the river runs with their tillage, the plants grow in their finely ground dust, the smooth slopes were ground smooth by millennia of ice.
Upstream, Brenden hooks his first-ever dolly varden. This is his first fish in Alaska. He is positively glowing with delight. He cradles it in his hand and then quickly returns it to the water pausing only to admire this vibrant glacial relic of a char. It too depends on the glacier.
The temperature is constantly shifting as the sun comes in and out of the clouds. Each part of the valley takes its turn being illuminated: the river shines like silver; the mountainside glows bright green and the rocks and bushes above the tree line cast sharp shadows; high in the valley small glaciers are bright ribbons streaking the blue granite. The clouds push the sunlight in ribbons across the valley. When we are suddenly in the light, we are warm.
After a few hours we walk back to the car. No one wants to go. For a while we drive in luminous silence.
∞
I'm preparing to teach a course on ecology and nature writing this summer in Alaska. One of the keys to becoming a good writer is to read good writing, so I've been asking for book recommendations that might help me prepare for my course.
The focus of the course will be the char species of Alaska. These species, all members of the genus salvelinus, are commonly thought of as trout. Brook trout and lake trout are both char, as are Dolly Vardens and arctic char.
These are beautiful fish. I think many anglers love them simply because they are so beautiful to look at. When I pull one from the water I am immediately torn between wanting to hold this precious thing closely and the urge to release it immediately, before my coarse hands pollute its loveliness. The name "char" might come from Celtic roots, like the Gaelic cear, meaning "blood." They are more multi-hued than rainbow trout. The red on their sides and fins catches the eye and holds the gaze.
Over the years I spent researching and writing my own book on brook trout, I did a lot of reading. Some books call me back again and again, like Henry Bugbee's The Inward Morning and Steinbeck's Log From The Sea of Cortez. Neither one is chiefly about fly-fishing or about trout, but they're both written in a way that makes me re-think how I view the world. And they do both talk a good deal about fish, and fishing.
Of course there are the classics of fly-fishing, too. Still, as I've asked for suggestions, I've been surprised by how many books there are that I haven't read or haven't even heard of. Just how many books about fish and fishing do we need? Are there really so many stories to tell?
If the point of writing books about fish is to give techniques, or data, then we don't need many at all. But stories about fish and fishing are rarely about the taking of fish. More often they are about the states of mind that open up as we prepare to enter the water, or as we stand there in the river. Fishing is to such states of consciousness what kneeling is to prayer; the posture is perhaps not essential, but it is a bodily gesture that does something to prepare us to be open to a certain kind of experience. I won't belabor this point. Read my book if you really want me to go on about fishing and philosophy. For now, let me present some of my recommendations, plus the recommendations I've received:
On Nature
I teach environmental philosophy and ecology, so I begin with some orienting books.
Some Favorites
Classics
These have been recommended time and again. I'm not sure many people ever actually read the first two, though they become prized volumes in the libraries of anglers around the world.
Most Recommended
Fly-Tying
Places
One reason why there is so much writing about fishing is that fishers tend to be students of particular places. Yes, some people fish by indiscriminately approaching water and drowning hooked worms therein, but experience tends to cure most young anglers of that method. Fishing puts us into contact with what we cannot see (or cannot see well) under the water; experienced anglers learn to read the signs above the water and the place itself. We return to the same place as we return to beloved passages in books or to favorite songs, to know them better through repetition.
Other Frequent Recommendations
If I talk to a group of anglers about books for long enough, one or more of these will eventually be mentioned. Stylistically and in terms of content, they're quite different, but they all seem to speak to important moods and thoughts of anglers.
Other Recommendations
Most of these I don't know at all, so I'm not recommending them, just mentioning them. Of course, if you have more recommendations (or corrections), please feel free to add them to the comments section, below.
I'll conclude with a few other recommendations. First, when I've asked for recommendations about texts, a handful of people tell me "Tenkara." This isn't a text, but a kind of rod, and a method of fly-fishing. And yet people continue to say that word to me when I ask for texts. Why is that? I have a few guesses: there isn't a lot written about tenkara, but people who practice it have come to love its simplicity and grace. I'm not a tenkara fisher (yet) but I'm eager to learn. I have a feeling that tenkara, like so many spiritual practices or like some martial arts, is something that makes people feel they way great writing makes us feel: in it we transcend the immediacy of our environment.
Along those lines, one commenter on Facebook said this to me about my students: "Give them [a] fly rod and a stream and let them write [their] own story." There is wisdom here. It is one thing to read about waters, and quite another to enter the waters on one's own feet. Even so, I think it's important and wise to learn from those who've gone before us, too.
If you're interested in seeing some of my other book recommendations, have a look at this, this, and this.
Recommended Reading: Fly-Fishing and Trout
 |
The focus of the course will be the char species of Alaska. These species, all members of the genus salvelinus, are commonly thought of as trout. Brook trout and lake trout are both char, as are Dolly Vardens and arctic char.
These are beautiful fish. I think many anglers love them simply because they are so beautiful to look at. When I pull one from the water I am immediately torn between wanting to hold this precious thing closely and the urge to release it immediately, before my coarse hands pollute its loveliness. The name "char" might come from Celtic roots, like the Gaelic cear, meaning "blood." They are more multi-hued than rainbow trout. The red on their sides and fins catches the eye and holds the gaze.
Over the years I spent researching and writing my own book on brook trout, I did a lot of reading. Some books call me back again and again, like Henry Bugbee's The Inward Morning and Steinbeck's Log From The Sea of Cortez. Neither one is chiefly about fly-fishing or about trout, but they're both written in a way that makes me re-think how I view the world. And they do both talk a good deal about fish, and fishing.
 |
| Mayfly on my reel. Summer 2014, Maine. |
If the point of writing books about fish is to give techniques, or data, then we don't need many at all. But stories about fish and fishing are rarely about the taking of fish. More often they are about the states of mind that open up as we prepare to enter the water, or as we stand there in the river. Fishing is to such states of consciousness what kneeling is to prayer; the posture is perhaps not essential, but it is a bodily gesture that does something to prepare us to be open to a certain kind of experience. I won't belabor this point. Read my book if you really want me to go on about fishing and philosophy. For now, let me present some of my recommendations, plus the recommendations I've received:
On Nature
I teach environmental philosophy and ecology, so I begin with some orienting books.
Some Favorites
Classics
These have been recommended time and again. I'm not sure many people ever actually read the first two, though they become prized volumes in the libraries of anglers around the world.
Most Recommended
Fly-Tying
Places
One reason why there is so much writing about fishing is that fishers tend to be students of particular places. Yes, some people fish by indiscriminately approaching water and drowning hooked worms therein, but experience tends to cure most young anglers of that method. Fishing puts us into contact with what we cannot see (or cannot see well) under the water; experienced anglers learn to read the signs above the water and the place itself. We return to the same place as we return to beloved passages in books or to favorite songs, to know them better through repetition.
Other Frequent Recommendations
If I talk to a group of anglers about books for long enough, one or more of these will eventually be mentioned. Stylistically and in terms of content, they're quite different, but they all seem to speak to important moods and thoughts of anglers.
Other Recommendations
Most of these I don't know at all, so I'm not recommending them, just mentioning them. Of course, if you have more recommendations (or corrections), please feel free to add them to the comments section, below.
I'll conclude with a few other recommendations. First, when I've asked for recommendations about texts, a handful of people tell me "Tenkara." This isn't a text, but a kind of rod, and a method of fly-fishing. And yet people continue to say that word to me when I ask for texts. Why is that? I have a few guesses: there isn't a lot written about tenkara, but people who practice it have come to love its simplicity and grace. I'm not a tenkara fisher (yet) but I'm eager to learn. I have a feeling that tenkara, like so many spiritual practices or like some martial arts, is something that makes people feel they way great writing makes us feel: in it we transcend the immediacy of our environment.
Along those lines, one commenter on Facebook said this to me about my students: "Give them [a] fly rod and a stream and let them write [their] own story." There is wisdom here. It is one thing to read about waters, and quite another to enter the waters on one's own feet. Even so, I think it's important and wise to learn from those who've gone before us, too.
*****
If you're interested in seeing some of my other book recommendations, have a look at this, this, and this.
∞
How To Write Term Papers
Some thoughts while grading essays:
1) Write simply.
2) Deleteany unnecessary words that you don't need.
3) Use short words. This isn't the SAT or ACT vocabulary quiz, it's an essay. Make it readable. Don't try to wow anyone with big words. Big words are a distraction in ordinary writing. Save them for when you need them.
4) Write short sentences. As your sentences increase in length, the number of things that can go wrong in the sentences increases.
5) Bad writing is like a food stain on your shirt. No matter how good your ideas, the stain and the errors will make the strongest impression.
6) Know your point, and make your case. If you don't have a point, you're not writing a paper; you're just writing words. When you've got a point to make, state it plainly. Then help others see why they might agree with you.
7) Avoid sweeping generalizations. Go ahead and be bold in your essays, by all means. Try out strong ideas. But be clear about exactly which ideas you are presenting, and why. Avoid saying things like "since the beginning of time, this has been the case." Rather, say "this has been the case at least since 1641 when Descartes published his Meditations."
8) Edit. Then edit again. Don't think of proofreading as giving your writing a once-over before handing it in. Read what you've written, then read it again and again. Does each sentence lead into the next? Does each paragraph follow smoothly from what came before it? Is your opening line clear and compelling?
9) Love your reader. Try to put yourself in your readers' shoes. One helpful way to do this is to ask a friend to read your writing aloud to you. Listen for where they stumble or hesitate. Those are probably times where your writing is not clear.
10) Make writing a habit, not something you only do when you must. Like any other skill, the more you do it, the easier it becomes.
*****
P.S. I've edited this post. Even after you write something, go back and read it again and keep editing. It's good exercise.
1) Write simply.
2) Delete
3) Use short words. This isn't the SAT or ACT vocabulary quiz, it's an essay. Make it readable. Don't try to wow anyone with big words. Big words are a distraction in ordinary writing. Save them for when you need them.
4) Write short sentences. As your sentences increase in length, the number of things that can go wrong in the sentences increases.
5) Bad writing is like a food stain on your shirt. No matter how good your ideas, the stain and the errors will make the strongest impression.
6) Know your point, and make your case. If you don't have a point, you're not writing a paper; you're just writing words. When you've got a point to make, state it plainly. Then help others see why they might agree with you.
7) Avoid sweeping generalizations. Go ahead and be bold in your essays, by all means. Try out strong ideas. But be clear about exactly which ideas you are presenting, and why. Avoid saying things like "since the beginning of time, this has been the case." Rather, say "this has been the case at least since 1641 when Descartes published his Meditations."
8) Edit. Then edit again. Don't think of proofreading as giving your writing a once-over before handing it in. Read what you've written, then read it again and again. Does each sentence lead into the next? Does each paragraph follow smoothly from what came before it? Is your opening line clear and compelling?
9) Love your reader. Try to put yourself in your readers' shoes. One helpful way to do this is to ask a friend to read your writing aloud to you. Listen for where they stumble or hesitate. Those are probably times where your writing is not clear.
10) Make writing a habit, not something you only do when you must. Like any other skill, the more you do it, the easier it becomes.
*****
P.S. I've edited this post. Even after you write something, go back and read it again and keep editing. It's good exercise.
∞
Three Words About Writing: Plato, Emerson, Bugbee
Last weekend I was at a small writing conference in Vermont, where I was asked to give a meditation on writing with a love of wisdom. Although I'm a philosophy professor, I'm not sure I have a bead on loving wisdom yet.
(To paraphrase Thoreau, there are nowadays plenty of philosophy professors, but not so many lovers of wisdom.)
Instead, I offered a reflection on three ideas that matter for me as I write. Here are three that I keep coming back to:
First, a word from Plato: "Follow the argument wherever it leads." And try to find good interlocutors. If you surround yourself with people who say "yes" to everything you say, your writing and your thinking will both atrophy. If the trail leads uphill, it's no good to stay on the level path. Plato seems to have used writing as a way of sketching out how one might begin to solve problems. He didn't give answers so much as good questions. His dialogues survive because they are such good invitations for us to try to work out the solutions ourselves.
Second, Emerson: Your journals are your savings accounts. Your life is the way you earn deposits. "If it were only for a vocabulary the scholar would be covetous of action," he wrote. "Life is our dictionary." Without action, there is no experience; and without experience, the writer's vocabulary becomes continually narrower. Emerson wrote in fragments - very short essays, or sentences - in his journals, and when he sat down to write his essays and lectures, he found those fragments to be a rich vein of inspiration and even of finished work.
Finally, Bugbee: "Get it down." Write forward; don't edit too much. Keep writing, and as much as possible, write the way it comes. Attend to experience as it is given, without trying too hard to color it or shape it. Practice seeing, and seeing honestly, and write what you see.
This isn't by any means a whole course in writing, but it is a place to start. And often, that's what writers need: to start.
Then keep writing.
(To paraphrase Thoreau, there are nowadays plenty of philosophy professors, but not so many lovers of wisdom.)
Instead, I offered a reflection on three ideas that matter for me as I write. Here are three that I keep coming back to:
First, a word from Plato: "Follow the argument wherever it leads." And try to find good interlocutors. If you surround yourself with people who say "yes" to everything you say, your writing and your thinking will both atrophy. If the trail leads uphill, it's no good to stay on the level path. Plato seems to have used writing as a way of sketching out how one might begin to solve problems. He didn't give answers so much as good questions. His dialogues survive because they are such good invitations for us to try to work out the solutions ourselves.
Second, Emerson: Your journals are your savings accounts. Your life is the way you earn deposits. "If it were only for a vocabulary the scholar would be covetous of action," he wrote. "Life is our dictionary." Without action, there is no experience; and without experience, the writer's vocabulary becomes continually narrower. Emerson wrote in fragments - very short essays, or sentences - in his journals, and when he sat down to write his essays and lectures, he found those fragments to be a rich vein of inspiration and even of finished work.
Finally, Bugbee: "Get it down." Write forward; don't edit too much. Keep writing, and as much as possible, write the way it comes. Attend to experience as it is given, without trying too hard to color it or shape it. Practice seeing, and seeing honestly, and write what you see.
This isn't by any means a whole course in writing, but it is a place to start. And often, that's what writers need: to start.
Then keep writing.
∞
So, How's The Sabbatical Going?
That's a question I've been hearing a lot this year, and understandably so. Most of my friends and my students have never experienced one. I hope that all of them have a chance to take a sabbatical someday so they can see for themselves what a gift it is. Since so many of my students wonder what I am doing when I'm not on campus, I'm writing this mostly for them. Many of them have (very sweetly!) told me they miss me. Let me assure them: it's mutual. But it has also been very good for me to take this year away from the classroom.
Sabbaticals and Long Service Leaves
By coincidence, a handful of my friends were on some sort of sabbatical last summer. Mostly they work for tech firms that recognize that sabbaticals make for more creative, more productive workers. One of them was enjoying a long service leave that Australian law mandates.
Most jobs in the United States don't offer sabbaticals, but I'm fortunate enough to have one that does. Sometimes my kids chide me for choosing a job with relatively low pay, but self-regulated time is something money can't easily buy. I think I chose my career pretty well.
I say "self-regulated time" because my sabbatical isn't early retirement or a long vacation. My job as a college professor has three basic components: teaching, scholarship, and service. A sabbatical frees me from the first of those components, and from parts of the third. More precisely, it frees me from the daily tasks of teaching and service, but I expect that at the end of this year I will be a better teacher because I've had time to do research and to tear down and rebuild some of my classes. And any college capable of taking the long view knows that faculty who take sabbaticals can render better service over the long haul.
What I've been doing
To the casual observer it probably looks like I've spent a lot of time in coffee shops and airports, and not much else. For the last three years I've devoted myself to teaching and service, giving only a little of my time to scholarship. So when I began my sabbatical my scholarly life felt like deep waters pent up behind a strained dam. Over the last few years I've sketched out five books and seven articles and book chapters. Over my sabbatical I hoped to get maybe one book and a couple of articles done. That may not sound like much, but it's fairly ambitious, given how much time it takes to do the research and to write well.
Since my job description breaks down into the three parts I mentioned above, let me say a few words about what I've been doing this year in each of those areas.
Writing: As for academic writing, so far, I've completed one book (on brook trout), and made significant progress on two others (both on the philosophy of religion). Once I get them done, books four and five are ready to go, too. I've submitted one book chapter for someone else's book, and I'm about to submit another. I've written a few book reviews for popular and scholarly journals, too. Last week I gave a lecture at the College of William and Mary on war and evil. Now I'm preparing that lecture for publication as a journal article. By the time this sabbatical is over, I hope to have at least one book under contract and two more articles sent off for review. I've also done some more popular writing, including a couple of articles on virtue ethics in the Chronicle of Higher Education's Chronicle Review - one on guns and one on the ethics of drones or UAVs. Perhaps most importantly, I've been writing every day. As you can see, I've been trying to write quickly here on this blog a couple of times a week, and I've been writing in a lot of other places as well. Like any other skill, it comes more fluidly with practice.
Teaching: I've also had the pleasure of planning some new classes, including one I plan to co-teach on environmental science and ecology, and a course for alumni I'll teach in Greece this summer with another Classics professor. And I have a whopping stack of books I've wanted to read that I've been devouring hungrily. When you're the professor, it's also good to be the student as often as possible.
Service: Even though I'm away from campus, my heart is still there. Everything I do as a professor winds up leaning back towards the classroom, which means towards my students. Nothing I do matters more than the people I do it with and for, I think. I must have written sixty letters of recommendation for students this year (which is more time-intensive than one might think). Sabbatical has also given me the chance to help some colleagues here and at other universities. I've been helping half a dozen friends who teach Classics, Philosophy, and Biology at other universities by reading and commenting on drafts of their essays and books. And I've done a lot of "double-blind" reviewing for six or seven academic publishers who want advice on whether to publish certain books or journal articles. Best of all has been time to collaborate with colleagues in far-off places, corresponding with professors and graduate students around the world about philosophy, ecology, Scriptural Reasoning, Henry Bugbee, Charles Peirce, C.S. Lewis, and other matters close to my heart. I list this as "service" but I could just as well call it "ways I've learned from other people far away."
But Have You Taken Some Time To Rest?
Yes. The word "sabbatical" has its roots in a Hebrew word, shabbath, meaning "to rest." It would be a shame not to use the time to get some rest. Last summer I spent two weeks in a writing retreat sponsored by Oregon State at their Shotpouch Creek Cabin with my friend and co-author Matthew Dickerson. We were working, but what restful work it can be to live, think, and write quietly with a friend. We spent half of each day writing, and the other half talking, hiking, fishing, wading in the ocean. We borrowed some hymnals from an Episcopal church in Eugene and spent part of each evening singing as the sun declined behind the coastal range.
On my way to Oregon, I drove my sons to the coast last summer to look at colleges, to go whale-watching, and to watch some professional soccer matches. When I got home to Sioux Falls, I joined a gym and I became my son's rec league soccer coach. This is his last year of living at home with us, and I can't tell you how grateful I am to have this time with him before adulthood takes him off on the next leg of his life's journey. Despite all the work, and travel, and writing, I've had more time with my wife and my kids, and more time for self-care. I feel much healthier and fitter now than I did a year ago. I have a feeling my family is better off for that, too.
I wish everyone, regardless of their line of work, could have an experience like this every few years. It might remind us all what matters. It's expensive, I know. I took a hefty pay cut from an already modest salary to have this year off, and thankfully our savings have been enough to get us through. (And writing and lecturing makes me a few extra ducats to send to my daughter in college from time to time or to spend on my boys at home.)
No doubt some people will read this and wonder why my college is willing to pay me anything at all when I'm not showing up to work. The answer is that some colleges still take the long view. You have to put aside your monthly planner and get a calendar that measures time and value "not by the times but by the eternities" (pace Thoreau), that looks down the years the way a carpenter holds a plank to her eye and looks down the full length of the board rather than seeing only the grain of what is nearest. Money has been spent on me this year by people who thought it worthwhile to let me stretch from my cramped pose. They have let me drink from distant streams so that I can come back nourished not just by the Big Sioux and the Missouri but by the waters of Oregon and New York and Virginia - and in some sense by the Hippocrene itself.
So that's what I've been doing. I'm sorry I haven't been around campus much. In the long run, what I've been doing should make my return to campus a very good one indeed. I can't wait to tell you more about what I've learned this year once I return.
Sabbaticals and Long Service Leaves
 |
| Sabbaticals can be seasons of letting dry husks bear new life. |
Most jobs in the United States don't offer sabbaticals, but I'm fortunate enough to have one that does. Sometimes my kids chide me for choosing a job with relatively low pay, but self-regulated time is something money can't easily buy. I think I chose my career pretty well.
I say "self-regulated time" because my sabbatical isn't early retirement or a long vacation. My job as a college professor has three basic components: teaching, scholarship, and service. A sabbatical frees me from the first of those components, and from parts of the third. More precisely, it frees me from the daily tasks of teaching and service, but I expect that at the end of this year I will be a better teacher because I've had time to do research and to tear down and rebuild some of my classes. And any college capable of taking the long view knows that faculty who take sabbaticals can render better service over the long haul.
What I've been doing
To the casual observer it probably looks like I've spent a lot of time in coffee shops and airports, and not much else. For the last three years I've devoted myself to teaching and service, giving only a little of my time to scholarship. So when I began my sabbatical my scholarly life felt like deep waters pent up behind a strained dam. Over the last few years I've sketched out five books and seven articles and book chapters. Over my sabbatical I hoped to get maybe one book and a couple of articles done. That may not sound like much, but it's fairly ambitious, given how much time it takes to do the research and to write well.
Since my job description breaks down into the three parts I mentioned above, let me say a few words about what I've been doing this year in each of those areas.
Writing: As for academic writing, so far, I've completed one book (on brook trout), and made significant progress on two others (both on the philosophy of religion). Once I get them done, books four and five are ready to go, too. I've submitted one book chapter for someone else's book, and I'm about to submit another. I've written a few book reviews for popular and scholarly journals, too. Last week I gave a lecture at the College of William and Mary on war and evil. Now I'm preparing that lecture for publication as a journal article. By the time this sabbatical is over, I hope to have at least one book under contract and two more articles sent off for review. I've also done some more popular writing, including a couple of articles on virtue ethics in the Chronicle of Higher Education's Chronicle Review - one on guns and one on the ethics of drones or UAVs. Perhaps most importantly, I've been writing every day. As you can see, I've been trying to write quickly here on this blog a couple of times a week, and I've been writing in a lot of other places as well. Like any other skill, it comes more fluidly with practice.
 | ||
| Snail shells grow by slow accumulation, as habits do. |
Service: Even though I'm away from campus, my heart is still there. Everything I do as a professor winds up leaning back towards the classroom, which means towards my students. Nothing I do matters more than the people I do it with and for, I think. I must have written sixty letters of recommendation for students this year (which is more time-intensive than one might think). Sabbatical has also given me the chance to help some colleagues here and at other universities. I've been helping half a dozen friends who teach Classics, Philosophy, and Biology at other universities by reading and commenting on drafts of their essays and books. And I've done a lot of "double-blind" reviewing for six or seven academic publishers who want advice on whether to publish certain books or journal articles. Best of all has been time to collaborate with colleagues in far-off places, corresponding with professors and graduate students around the world about philosophy, ecology, Scriptural Reasoning, Henry Bugbee, Charles Peirce, C.S. Lewis, and other matters close to my heart. I list this as "service" but I could just as well call it "ways I've learned from other people far away."
 |
| The license plate on the rental car I had at a recent conference. |
Yes. The word "sabbatical" has its roots in a Hebrew word, shabbath, meaning "to rest." It would be a shame not to use the time to get some rest. Last summer I spent two weeks in a writing retreat sponsored by Oregon State at their Shotpouch Creek Cabin with my friend and co-author Matthew Dickerson. We were working, but what restful work it can be to live, think, and write quietly with a friend. We spent half of each day writing, and the other half talking, hiking, fishing, wading in the ocean. We borrowed some hymnals from an Episcopal church in Eugene and spent part of each evening singing as the sun declined behind the coastal range.
On my way to Oregon, I drove my sons to the coast last summer to look at colleges, to go whale-watching, and to watch some professional soccer matches. When I got home to Sioux Falls, I joined a gym and I became my son's rec league soccer coach. This is his last year of living at home with us, and I can't tell you how grateful I am to have this time with him before adulthood takes him off on the next leg of his life's journey. Despite all the work, and travel, and writing, I've had more time with my wife and my kids, and more time for self-care. I feel much healthier and fitter now than I did a year ago. I have a feeling my family is better off for that, too.
I wish everyone, regardless of their line of work, could have an experience like this every few years. It might remind us all what matters. It's expensive, I know. I took a hefty pay cut from an already modest salary to have this year off, and thankfully our savings have been enough to get us through. (And writing and lecturing makes me a few extra ducats to send to my daughter in college from time to time or to spend on my boys at home.)
No doubt some people will read this and wonder why my college is willing to pay me anything at all when I'm not showing up to work. The answer is that some colleges still take the long view. You have to put aside your monthly planner and get a calendar that measures time and value "not by the times but by the eternities" (pace Thoreau), that looks down the years the way a carpenter holds a plank to her eye and looks down the full length of the board rather than seeing only the grain of what is nearest. Money has been spent on me this year by people who thought it worthwhile to let me stretch from my cramped pose. They have let me drink from distant streams so that I can come back nourished not just by the Big Sioux and the Missouri but by the waters of Oregon and New York and Virginia - and in some sense by the Hippocrene itself.
So that's what I've been doing. I'm sorry I haven't been around campus much. In the long run, what I've been doing should make my return to campus a very good one indeed. I can't wait to tell you more about what I've learned this year once I return.
∞
Reading and Writing and Gratitude
It’s easy to get too busy to read, and too busy to write. My sporadic blog posting reflects the cycles of the academic year: some times I’m full of time to post and full of ideas for writing; other times, I’m simply too busy to write. Those too-busy-to-write times seem to come more often than the other times.
Still, I make myself promise to write – books, articles, reviews, essays – as a means of self-discipline. If I’m reading, I’m learning. If I’m writing, I’m learning even more.
But I am busy. So all this posting will do is acknowledge the giants upon whose shoulders I have been sitting this past week: Plato’s Phaedrus; Augustine’s City of God; Mooney’s Lost Intimacy in American Thought; West’s Prophetic Fragments and American Evasion of Philosophy; Apuleius' De Deo Socratis and his Asinus; a handful of Rorty’s essays; Royce’s Problem of Christianity; a handful of books on environmental philosophy (trying to sort out both some ethical issues and the practical matter of next spring’s syllabus!); and, as always, a smattering of Peirce.
No, I don’t usually read quite that many books in a week. (Actually, I think I’m leaving out a half-dozen or so - oh, yeah, there was some Rauschenbusch in there, and some Martin Luther King, too. Lots of social and political thought about religion, politics, freedom, and creativity, mostly.)
Last week was a marathon of reading and writing. The result was a book chapter and sketches of about ten other articles. Not sure they’ll all get written - I only have so much time, remember? But the most important part of this has been not the words on the page, but the way those words have served as a tool for thinking. For that, and for the life that allows me to do that at all, I am very, very grateful.
∞
On Writing Philosophy Essays
Writing a philosophy paper? Here are a few phrases you should probably avoid:
1) “Socrates* feels that X is true." (We don’t know much about his feelings, do we? Focus on what he said rather than on what you think he felt, unless you’re also prepared to explain your insight into his feelings, and the relevance of that insight and of those feelings.) (*Or any other philosopher who doesn’t tell us how she is feeling.)
2) “There is no answer to this question.” (Do you mean no correct answer? Why do you think I asked it, by the way? Let me suggest that, at a minimum, there is an answer given in the texts we read. If you think it’s wrong, I’d be delighted to hear why you think it’s wrong, once you’ve told me clearly what it is.)
3) “I’ve decided to ignore what the books say and focus on my own opinions here.” (Not that your opinions don’t matter, but they’re deucedly difficult to grade.)
∞
The Best Rule in Writing
"The best maxim in writing, perhaps, is really to love your reader for his own sake." Charles S. Peirce, "Private Thoughts: Chiefly On The Conduct Of Life," lxxv, March 17, 1888.
I've been editing the Religious Writings of Charles Peirce for a few years now -- hopefully will publish them within the next few years -- and this is one of the passages I love coming back to. I'm not always sure how to put it into practice, but the idea of writing out of love for my reader reminds me that there is precious little that we do or say or make that does not affect the lives of others. Even this "private thought" from Peirce's journal, written a century ago, has shaped my thinking.
I've been editing the Religious Writings of Charles Peirce for a few years now -- hopefully will publish them within the next few years -- and this is one of the passages I love coming back to. I'm not always sure how to put it into practice, but the idea of writing out of love for my reader reminds me that there is precious little that we do or say or make that does not affect the lives of others. Even this "private thought" from Peirce's journal, written a century ago, has shaped my thinking.